{"id":6444,"date":"2016-05-26T17:07:34","date_gmt":"2016-05-26T17:07:34","guid":{"rendered":"http:\/\/thurzozoltan.com\/fr\/repertoar\/"},"modified":"2024-12-25T18:58:53","modified_gmt":"2024-12-25T18:58:53","slug":"repertoar","status":"publish","type":"page","link":"https:\/\/thurzozoltan.com\/fr\/repertoar\/","title":{"rendered":"Repertoire"},"content":{"rendered":"[et_pb_section admin_label=&#8221;Section&#8221; fullwidth=&#8221;on&#8221; specialty=&#8221;off&#8221; transparent_background=&#8221;on&#8221; background_color=&#8221;#ffffff&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221;][et_pb_fullwidth_post_title admin_label=&#8221;Fullwidth Post Title&#8221; title=&#8221;on&#8221; meta=&#8221;off&#8221; author=&#8221;on&#8221; date=&#8221;on&#8221; categories=&#8221;on&#8221; comments=&#8221;on&#8221; featured_image=&#8221;off&#8221; featured_placement=&#8221;below&#8221; parallax_effect=&#8221;on&#8221; parallax_method=&#8221;on&#8221; text_orientation=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_background=&#8221;off&#8221; text_bg_color=&#8221;rgba(255,255,255,0.9)&#8221; module_bg_color=&#8221;rgba(255,255,255,0)&#8221; title_font_size=&#8221;36&#8243; title_font_size_tablet=&#8221;29&#8243; title_font_size_phone=&#8221;20&#8243; title_font_size_last_edited=&#8221;on|phone&#8221; title_text_color=&#8221;#fee29b&#8221; title_all_caps=&#8221;off&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;] [\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section admin_label=&#8221;section&#8221; transparent_background=&#8221;on&#8221; background_color=&#8221;#ffffff&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221;][et_pb_row admin_label=&#8221;Row&#8221;][et_pb_column type=&#8221;2_3&#8243;][et_pb_text admin_label=&#8221;Text&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;justified&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]\n<p><em>,,La musique est le souffle de mon \u00e2me, et en m\u00eame temps ma pri\u00e8re et mon travail,, (Liszt F.)<\/em><\/p>\n<p>Le r\u00e9pertoire de Zoltan Thurzo jusqu\u2019\u00e0 pr\u00e9sent\u00a0 est de toute \u00e9poque qui s\u2019\u00e9tend tous les jours. Dans son r\u00e9pertoire sont \u00e9galement repr\u00e9sent\u00e9s dans le genre de musique classique plusieurs types et styles\u00a0 et offre la diversit\u00e9 musicale. Le r\u00e9pertoire peut \u00eatre lu ci-dessous et offre une vue d\u2019ensemble et une description d\u00e9taill\u00e9e des travaux ant\u00e9rieurs\u00a0 portant sur l\u2019\u00e8re de la polyvalence.<\/p>\n<p>&nbsp;<\/p>\n[\/et_pb_text][et_pb_accordion admin_label=&#8221;Accordion&#8221; use_border_color=&#8221;on&#8221; border_color=&#8221;#fee29b&#8221; border_style=&#8221;solid&#8221; open_toggle_background_color=&#8221;#000000&#8243; closed_toggle_background_color=&#8221;#000000&#8243; icon_color=&#8221;#fee29b&#8221;] [et_pb_accordion_item title=&#8221;Concerto&#8221;]\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">J.S. Bach<\/td>\n<td>\n<ul>\n<li>Piano (Harpsichord) Concerto No.1 in D minor BWV 1052<\/li>\n<li>\u00a0Piano (Harpsichord) Concerto No.2 in E major BWV 1053<\/li>\n<li>\u00a0Piano (Harpsichord) Concerto No.3 in D major BWV 1054<\/li>\n<li>\u00a0Piano (Harpsichord) Concerto No.4 in A major BWV 1055<\/li>\n<li>\u00a0Piano (Harpsichord) Concerto No.5 in F minor BWV 1056<\/li>\n<li>\u00a0Piano (Harpsichord) Concerto No.6 in F major BWV 1057<\/li>\n<li>\u00a0Piano (Harpsichord) Concerto No.7 in G minor BWV 1058<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">Michael Haydn<\/td>\n<td>\n<ul>\n<li>Duo Concertante for Organ and Viola P.55<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">K.D. von Dittersdorf<\/td>\n<td>\n<ul>\n<li>Piano (Harpsichord) Concerto in D major<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">W.A. Mozart<\/td>\n<td>\n<ul>\n<li>Piano concerto in A major No.23, KV 488.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">L. van Beethoven<\/td>\n<td>\n<ul>\n<li>\u00a0Piano concerto in C major op.15<\/li>\n<li>\u00a0Piano concerto in c minor op.37<\/li>\n<li>\u00a0Piano concerto in G major op.58<\/li>\n<li>\u00a0Triple Concerto in C major, op.56<\/li>\n<li>\u00a0Choral Fantasy op.80<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">Fr. Liszt<\/td>\n<td>\n<ul>\n<li>\u00a0Piano concerto in A major<\/li>\n<li>\u00a0Hungarian Fantasy (Fantasia \u00fcber Ungarische Volksmelodien)<\/li>\n<li>\u00a0Malediction<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">Fr. Chopin<\/td>\n<td>\n<ul>\n<li>\u00a0Piano concerto in e minor op.11<\/li>\n<li>\u00a0Piano concerto in f minor op.21<\/li>\n<li>\u00a0Andante Spianato et Grande Polonaise op.22<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">S. Rachmaninov<\/td>\n<td>\n<ul>\n<li>\u00a0Piano concerto No.2 in c minor<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">G. Gershwin<\/td>\n<td>\n<ul>\n<li>\u00a0Rhapsody in Blue<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">Cl. Debussy<\/td>\n<td>\n<ul>\n<li>\u00a0Fantasy for piano and orchestra<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">Richard Addinsell<\/td>\n<td>\n<ul>\n<li>Warsaw Concerto<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Op\u00e9ras solo en piano&#8221;]\n<p><strong>J.S.BACH:<\/strong><\/p>\n<p>Preludium Und Fugue Wohltemperiertes Klavier &#8211; Band I, Band II (COMPLETE)<\/p>\n<p>Italian Concerto BWV 971\u00a0(Concerto nach Italienischem Gusto)<\/p>\n<p>Variante zu Chromatical Fantasie BWV 903\/a<\/p>\n<p>Chromatical Fantasia und Fuge BWV 903<\/p>\n<p>Partita No.1 in Bflat major BWV 825<\/p>\n<p>Partita No.2 in C minor BWV 826<\/p>\n<p>Partita No.3 in A minor BWV 827<\/p>\n<p>Partita No.4 in D major BWV 828<\/p>\n<p>Partita No.5 in G major BWV 829<\/p>\n<p>Partita No.6 in E minor BWV 830<\/p>\n<p>&nbsp;<\/p>\n<p><strong>J.S.BACH \u2013 FERRUCCIO BUSONI: <\/strong>10 Choral Preludes, BV B 27<\/p>\n<ol>\n<li>\u00a0Komm, Gott, Sch\u00f6pfer, BWV 667<\/li>\n<li>Wachet auf, ruft uns die Stimme, BWV 645<\/li>\n<li>Nun komm, der Heiden Heiland, BWV 659<\/li>\n<li>Nun freut euch, lieben Christen, BWV 734<\/li>\n<li>Ich ruf&#8217; zu dir, Herr, BWV 639<\/li>\n<li>Herr Gott, nun schleu\u00df den Himmel auf, BWV 617<\/li>\n<\/ol>\n<p>7a.\u00a0Durch Adam&#8217;s Fall, BWV 637<\/p>\n<p>7b.\u00a0Durch Adam&#8217;s Fall. Fuga, BWV 705<\/p>\n<ol start=\"8\">\n<li>In dir ist Freude, BWV 615<\/li>\n<li>Jesus Christus, unser Heiland, BWV 665<\/li>\n<\/ol>\n<p><strong>J.S.BACH \u2013 EGON PETRI:<\/strong>\u00a0\u00a0 &#8220;Jagdkantate&#8221; &#8211; Schafe k\u00f6nnen sicher weiden, BWV 208<\/p>\n<p><strong>J.S.BACH \u2013 DINU LIPATTI:<\/strong>\u00a0 &#8220;Jagdkantate&#8221; &#8211; Schafe k\u00f6nnen sicher weiden, BWV 208<\/p>\n<p><strong>J.S.BACH \u2013 DINU LIPATTI:<\/strong> \u00a0&#8220;Jagdkantate&#8221; &#8211; Weil die Wollenreichen Herden, BWV 208<\/p>\n<p><strong>J.S.BACH \u2013 SAMUEL FEINBERG: <\/strong>Prelude and Fugue in E minor BWV 548<\/p>\n<p><strong>J.S.BACH<\/strong><strong> \u2013 WILHELM KEMPFF: <\/strong>Siciliano from Flute Sonata in E Flat Major, BWV 1031<\/p>\n<p><strong>J.S.BACH<\/strong><strong> &#8211; WILHELM KEMPFF: <\/strong>Cantata BWV 147: Jesu, Joy of Man\u2019s Desiring<\/p>\n<p><strong>J.S.BACH<\/strong><strong> \u2013 MYRA HESS: <\/strong>Cantata BWV 147: Jesu, Joy of Man\u2019s Desiring<\/p>\n<p><strong>J.S.BACH \u2013 LISZT FERENC: <\/strong>Organ Prelude and Fugue in A minor<\/p>\n<p><strong>J.S.BACH \u2013 ALESSANDRO MARCELLO: <\/strong>Adagio<\/p>\n<p><strong>J.S.BACH <\/strong><strong>\u2013 ALEXANDER SILOTI: <\/strong>Prelude<\/p>\n<p><strong>J.S.BACH \u2013 THUR<\/strong><strong>Z\u00d3 ZOLT\u00c1N: <\/strong>AIR\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>SIGISMUND TODU\u021a\u0102: <\/strong>COMPLETE PIANO MUSIC<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>KOD\u00c1LY ZOLT\u00c1N: <\/strong>COMPLETE PIANO MUSIC<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>BART\u00d3K B\u00c9LA: <\/strong><\/p>\n<p>Suite op.14 Sz.62<\/p>\n<p>Allegro Barbaro Sz.49<\/p>\n<p>Im Freien BB.89\/Sz.81<\/p>\n<p>Este a sz\u00e9kelyekn\u00e9l\u00a0BB.51\/Sz.39<\/p>\n<p>H\u00e1rom cs\u00edkmegyei n\u00e9pdal \u00a0Sz.35a\/BB.45b\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p><strong>W.A.MOZART:<\/strong><\/p>\n<p>Allegro einer Sonate\u00a0K312<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The COMPLETE Piano Sonatas:<\/strong><\/p>\n<p>Piano Sonata No. 1\u00a0in C major, K. 279 (Munich, Autumn 1774)<\/p>\n<p>Piano Sonata No. 2\u00a0in F major, K. 280 (Munich, Autumn 1774)<\/p>\n<p>Piano Sonata No. 3\u00a0in B-flat major, K. 281 (Munich, Autumn 1774)<\/p>\n<p>Piano Sonata No. 4\u00a0in E-flat major, K. 282 (Munich, Autumn 1774)<\/p>\n<p>Piano Sonata No. 5\u00a0in G major, K. 283 (Munich, Autumn 1774)<\/p>\n<p>Piano Sonata No. 6\u00a0in D major, K. 284 (Munich, February\u2013March 1775)<\/p>\n<p>Piano Sonata No. 7\u00a0in C major, K. 309 (Mannheim, Nov. 8 1777)<\/p>\n<p>Piano Sonata No. 8\u00a0in A minor, K. 310 (Paris, Summer 1778)<\/p>\n<p>Piano Sonata No. 9\u00a0in D major, K. 311 (Mannheim, November-December 1778)<\/p>\n<p>Piano Sonata No. 10\u00a0in C major, K. 330 (Vienna\u00a0or\u00a0Salzburg, 1783)<\/p>\n<p>Piano Sonata No. 11\u00a0in A major, K. 331 (Vienna or Salzburg, 1783)<\/p>\n<p>Piano Sonata No. 12\u00a0in F major, K. 332 (Vienna or Salzburg, 1783)<\/p>\n<p>Piano Sonata No. 13\u00a0in B-flat major, K. 333 (Linz, 1783)<\/p>\n<p>Piano Sonata No. 14\u00a0in C minor, K. 457 (Vienna, Oct. 14, 1784)<\/p>\n<p>Piano Sonata No. 15\u00a0in F major, K. 533\/494 (Vienna, Jan. 3, 1788)<\/p>\n<p>Piano Sonata No. 16\u00a0in C major, K. 545 (so-called\u00a0facile\u00a0or\u00a0semplice\u00a0sonata; Vienna, Jun. 26, 1788)<\/p>\n<p>Piano Sonata No. 17\u00a0in B-flat major, K. 570 (Vienna, February, 1789)<\/p>\n<p>Piano Sonata No. 18\u00a0in D major, K. 576 (Vienna, July 1789)<\/p>\n<p>Piano Sonata No. 19\u00a0in F major, K. 547a (1799; posthumous; actually a composition by\u00a0Breitkopf and Hartel\u00a0but is a group of movements culled from Mozart&#8217;s other compositions)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Complete Piano Fantasias<\/strong><\/p>\n<p>Fantasia Nr.1 \u00a0in C major, K. 394<\/p>\n<p>Fantasia Nr.2\u00a0 in C minor, K. 396\/385f\u00a0<\/p>\n<p>Fantasia Nr.3 e fuga d moll KV 397<\/p>\n<p>Fantasia Nr.4 in C minor, K. 475\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Complete Piano Rondos<\/strong><\/p>\n<p>Rondo Nr. 1<\/p>\n<p>Rondo Nr. 2<\/p>\n<p>Rondo Nr. 3<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>LUDWIG VAN BEETHOVEN: <\/strong><\/p>\n<p>Rondo in C major op.51<\/p>\n<p>Eccosaise in G major<\/p>\n<p>Scottish Dance<\/p>\n<p>F\u00fcr Elise<\/p>\n<p>Rage over a lost penny Op. 129<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Complete Piano Sonatas <\/strong><\/p>\n<p>Opus 2: Three Piano Sonatas (1795)<\/p>\n<ol>\n<li>Piano Sonata No. 1\u00a0in F minor<\/li>\n<li>Piano Sonata No. 2\u00a0in A major<\/li>\n<li>Piano Sonata No. 3\u00a0in C major<\/li>\n<\/ol>\n<ul>\n<li>Opus 7:\u00a0Piano Sonata No. 4\u00a0in E-flat major (&#8220;Grand Sonata&#8221;) (1797)<\/li>\n<li>Opus 10: Three Piano Sonatas (1798)<\/li>\n<\/ul>\n<ol>\n<li>Piano Sonata No. 5\u00a0in C minor<\/li>\n<li>Piano Sonata No. 6\u00a0in F major<\/li>\n<li>Piano Sonata No. 7\u00a0in D major<\/li>\n<\/ol>\n<ul>\n<li>Opus 13:\u00a0Piano Sonata No. 8\u00a0in C minor (&#8220;Path\u00e9tique&#8221;) (1798)<\/li>\n<li>Opus 14: Two Piano Sonatas (1799)<\/li>\n<\/ul>\n<ol>\n<li>Piano Sonata No. 9\u00a0in E major<\/li>\n<li>Piano Sonata No. 10\u00a0in G major<\/li>\n<\/ol>\n<ul>\n<li>Opus 22:\u00a0Piano Sonata No. 11\u00a0in B-flat major (1800)<\/li>\n<li>Opus 26:\u00a0Piano Sonata No. 12\u00a0in A-flat major (&#8220;Funeral March&#8221;) (1801)<\/li>\n<li>Opus 27: Two Piano Sonatas (1801)<\/li>\n<\/ul>\n<ol>\n<li>Piano Sonata No. 13\u00a0in E-flat major &#8216;Sonata quasi una fantasia&#8217;<\/li>\n<li>Piano Sonata No. 14\u00a0in C-sharp minor &#8216;Sonata quasi una fantasia&#8217; (&#8220;Moonlight&#8221;)<\/li>\n<\/ol>\n<ul>\n<li>Opus 28:\u00a0Piano Sonata No. 15\u00a0in D major (&#8220;Pastoral&#8221;) (1801)<\/li>\n<li>Opus 49: Two Piano Sonatas\u00a0(composed 1795\u20136, published 1805)<\/li>\n<\/ul>\n<ol>\n<li>Piano Sonata No. 19 in G minor<\/li>\n<li>Piano Sonata No. 20 in G major<\/li>\n<\/ol>\n<ul>\n<li>Opus 31: Three Piano Sonatas (1802)<\/li>\n<\/ul>\n<ol>\n<li>Piano Sonata No. 16\u00a0in G major<\/li>\n<li>Piano Sonata No. 17\u00a0in D minor (&#8220;Tempest&#8221;)<\/li>\n<li>Piano Sonata No. 18\u00a0in E-flat major (&#8220;The Hunt&#8221;)<\/li>\n<\/ol>\n<ul>\n<li>Opus 53:\u00a0Piano Sonata No. 21\u00a0in C major (&#8220;Waldstein&#8221;) (1803)<\/li>\n<\/ul>\n<p>WoO 57:\u00a0Andante favori\u00a0\u2014 Original middle movement of the &#8220;Waldstein&#8221; sonata (1804)<\/p>\n<ul>\n<li>Opus 54:\u00a0Piano Sonata No. 22\u00a0in F major (1804)<\/li>\n<li>Opus 57:\u00a0Piano Sonata No. 23\u00a0in F minor (&#8220;Appassionata&#8221;) (1805)<\/li>\n<li>Opus 78:\u00a0Piano Sonata No. 24\u00a0in F-sharp major (&#8220;A Th\u00e9r\u00e8se&#8221;) (1809)<\/li>\n<li>Opus 79:\u00a0Piano Sonata No. 25\u00a0in G major (&#8220;Cuckoo&#8221;) (1809)<\/li>\n<li>Opus 81a:\u00a0Piano Sonata No. 26\u00a0in E-flat major (&#8220;Les adieux\/Das Lebewohl&#8221;) (1810)<\/li>\n<li>Opus 90:\u00a0Piano Sonata No. 2<a href=\"https:\/\/en.wikipedia.org\/wiki\/Piano_Sonata_No._27_(Beethoven)\">7<\/a>in E minor (1814)<\/li>\n<li>Piano Sonata No. 28 in A Major, Op. 101 (1815-6)<\/li>\n<li>Grand Sonata, No. 29 in B-flat Major, Op. 106 (\u201cHammerklavier\u201d) (1817-8)<\/li>\n<li>Piano\u00a0Sonata No. 30 in E Major, Op. 109 (1820)<\/li>\n<li>Piano\u00a0Sonata No. 31 in A-flat Major, Op. 110 (1821<\/li>\n<li>Piano\u00a0Sonata No. 32 in C Minor, Op. 111 (1821-2)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>FRANZ LISZT &#8211; (Liszt Ferenc): <\/strong><\/p>\n<p>Complete \u201eHarmonies Po\u00e9tiques et R\u00e9legieuses\u201d<\/p>\n<p>\u00c9tudes d&#8217;ex\u00e9cution transcendante Nr.1 \u201ePreludio\u201d<\/p>\n<p>\u00c9tudes d&#8217;ex\u00e9cution transcendante Nr.3 \u201ePaysage\u201d<\/p>\n<p>\u00c9tudes d&#8217;ex\u00e9cution transcendante Nr.4 \u201eMazeppa\u201d<\/p>\n<p>\u00c9tudes d&#8217;ex\u00e9cution transcendante Nr.7 \u201eEroica\u201d<\/p>\n<p>\u00c9tudes d&#8217;ex\u00e9cution transcendante Nr.11 \u201eHarmonies du soir\u201d<\/p>\n<p>\u00c9tudes d&#8217;ex\u00e9cution transcendante Nr.12 \u201eChasseneige\u201d<\/p>\n<p>Konzertet\u00fcden Waldesrauschen<\/p>\n<p>Konzertet\u00fcden Un Sospiro<\/p>\n<p>Les jeux d&#8217;eau a la Villa d&#8217;Este<\/p>\n<p>Hungarian Rhapsody Nr.5<\/p>\n<p>Hungarian Rhapsody Nr.9<\/p>\n<p>Hungarian Rhapsody Nr.10<\/p>\n<p>6 Consolations<\/p>\n<p>La Notte<\/p>\n<p>Ballada Nr.1<\/p>\n<p>Ballada Nr.2<\/p>\n<p>Romance<\/p>\n<p>Chanson \/ Pastorale \/ du B\u00e9arn<\/p>\n<p>Marche hongroise<\/p>\n<p>Klavierst\u00fcck Nr.2.in A flat major<\/p>\n<p>MephistoPolka<\/p>\n<p>Die Totten<\/p>\n<p>Die Lorelei (2 Fasung)<\/p>\n<p>Piece in Fsharp Major<\/p>\n<p>Ungarns Gott (For left hand )<\/p>\n<p>Ungarns Gott ( Two hand version )<\/p>\n<p>Andante<\/p>\n<p>70 takte nacht Motiven aus der ersten Beethoven Kantate<\/p>\n<p>B\u00facs\u00faz\u00f3ra<\/p>\n<p>\u00c9n R\u00e9ve<\/p>\n<p>Cosrousel de Madame PN<\/p>\n<p>Wer nun den luben<\/p>\n<p>Vexilla Regis<\/p>\n<p>Meine seel&#8230;<\/p>\n<p>O Traurigkeit<\/p>\n<p>O Lamm Gottes!<\/p>\n<p>O haupt voll Blut<\/p>\n<p>Nun Ruhen alle<\/p>\n<p>Jesu Christe<\/p>\n<p>Was Gott&#8230;<\/p>\n<p>Crux ave benedicca<\/p>\n<p>Nun danket alle Gott!<\/p>\n<p>Ave Maria<\/p>\n<p>Toccata<\/p>\n<p>A puszta keserve<\/p>\n<p>Cs\u00e1rd\u00e1s Obstin\u00e9e<\/p>\n<p>Berceuse (2. Fasung )<\/p>\n<p>Nuages Gris Trube Wolken<\/p>\n<p>Albumblatt Feuilles d\u2019album in A flat<\/p>\n<p>Liebestr\u00e4ume Nr.3<\/p>\n<p>La Lugubre Gondola I.<\/p>\n<p>La Lugubre Gondola II.<\/p>\n<p>Diabelli-Liszt: Variationes<\/p>\n<p>Schubert-Liszt: Serenade<\/p>\n<p>Schubert-Liszt: Ave Maria<\/p>\n<p>Szabadi-Massenet-Liszt: Revive Szegedin<\/p>\n<p>Mozart-Liszt: Confutatis Maledictis und Lacrymosa aus dem Requiem KV.626<\/p>\n<p>Schubert-Liszt: Der Doppelganger<\/p>\n<p>Beethoven-Liszt: Ruinen vonAthen<\/p>\n<p>Paganini-Liszt: La Campanella<\/p>\n<p>Rossini-Liszt: Soir\u00e9es musicales de Rossini No.9: &#8220;La Danza&#8221; (Tarantella napolitana)<\/p>\n<p>Szent Szaniszl\u00f3 orat\u00f3riumb\u00f3l Polon\u00e9z Nr.1<\/p>\n<p>Szent Szaniszl\u00f3 orat\u00f3riumb\u00f3l Polon\u00e9z Nr.2<\/p>\n<p>Kar\u00e1csonyfa&#8221; ciklusb\u00f3l &#8211; No.12 z\u00e1r\u00f3t\u00e9tele &#8211; Lengyel<\/p>\n<p>Glanes de Woronice No.1: Ballade Ukraine (Dumka)<\/p>\n<p>Glanes de Woronice No.2: M\u00e9lodies Polonaises<\/p>\n<p>Glanes de Woronice No.3: Complainte (Dumka)<\/p>\n<p>Sonetto 104 del Petrarca, S. 161, Nr. 5<\/p>\n<p>Liebestraum Nr.3 (Love Dream)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>JOHN FIELD: <\/strong>COMPLETE Nocturnes<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>FR.CHOPIN: <\/strong><\/p>\n<p><strong>COMPLETE Nocturnes<\/strong><\/p>\n<p>Nocturne in B-flat minor, Op. 9, No. 1<br \/>\n Nocturne in E-flat major, Op. 9, No. 2<br \/>\n Nocturne in B major, Op. 9 No. 3<br \/>\n Nocturne in F major, Op. 15, No. 1<br \/>\n Nocturne in F-sharp major, Op. 15, No. 2<br \/>\n Nocturne in G minor, Op. 15, No. 3<br \/>\n Nocturne in C-sharp minor, Op. 27, No. 1<br \/>\n Nocturne in D-flat major, Op. 27, No. 2<br \/>\n Nocturne in B major, Op. 32, No. 1<br \/>\n Nocturne in A-flat major, Op. 32, No. 2<\/p>\n<p>Nocturne in G minor, Op. 37, No. 1<\/p>\n<p>Nocturne in G major, Op. 37, No. 2<\/p>\n<p>Nocturne in C minor, Op. 48, No. 1<\/p>\n<p>Nocturne in F-sharp minor, Op. 48, No. 2<\/p>\n<p>Nocturne in F minor, Op. 55, No. 1<\/p>\n<p>Nocturne in E-flat major, Op. 55, No. 2<\/p>\n<p>Nocturne in B major, Op. 62, No. 1<\/p>\n<p>Nocturne in E major, Op. 62, No. 2<\/p>\n<p>Nocturne in E minor, Op. 72, No. 1<\/p>\n<p>Nocturne in C-sharp minor, Op. Posth, WN 37<\/p>\n<p>Nocturne in C minor, Op. Posth, WN 62<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>COMPLETE WALTZES<\/strong><\/p>\n<p>Esz-D\u00far Kering\u0151 Op. 18 BI-62 = \u2018Valse Brillante\u2019 In E Flat Major<\/p>\n<p>Asz-D\u00far Kering\u0151 Op. 34 No. 1 BI-94 = \u2018Grande Valse Brillante\u2019 In A Flat Major<\/p>\n<p>A-Moll Kering\u0151 Op. 34 No. 2 BI-64 = \u2018Grande Valse Brillante\u2019 In A Minor<\/p>\n<p>F-D\u00far Kering\u0151 Op. 34 No. 3 BI-118 = \u2018Grande Valse Brillante\u2019 In F Major<\/p>\n<p>Asz-D\u00far Kering\u0151 Op. 42 BI-131 = Waltz In A Flat Major<\/p>\n<p>Desz-D\u00far Kering\u0151 Op. 64 No. 1 BI-164 = Waltz In D Flat Major<\/p>\n<p>Cisz-Moll Kering\u0151 Op. 64 No. 2 BI-164 = Waltz In C Sharp Minor<\/p>\n<p>Asz-D\u00far Kering\u0151 Op. 64 No. 3 BI-164 = Waltz In A Flat Major<\/p>\n<p>Asz-D\u00far Kering\u0151 (Op. Posth. 69 No. 1) BI-95 = Waltz In A Flat Major<\/p>\n<p>H-Moll Kering\u0151 (Op. Posth. 69 No. 2) BI-35 = Waltz In B Minor<\/p>\n<p>Gesz-D\u00far Kering\u0151 (Op. Posth. 70 No. 1) BI-92 = Waltz In G Flat Major<\/p>\n<p>F-Moll Kering\u0151 (Op. Posth. 70 No. 2) BI-138 = Waltz In F Minor<\/p>\n<p>Desz-D\u00far Kering\u0151 (Op. Posth. 70 No. 3) BI-40 = Waltz In D Flat Major<\/p>\n<p>Asz-D\u00far Kering\u0151 BI21 = Waltz In A Flat Major<\/p>\n<p>E-D\u00far Kering\u0151 BI-44 = Waltz In E Major<\/p>\n<p>E-Moll Kering\u0151 BI-56 = Waltz In E Minor<\/p>\n<p>A-Moll Kering\u0151 BI-150 = Waltz In A Minor<\/p>\n<p>Sostenuto, Esz-D\u00far BI-133 = Sostenuto In E Flat Major<\/p>\n<p>Esz-D\u00far Kering\u0151 BI-46 = Waltz In E Flat Major<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>COMPLETE MAZURKAS<\/strong><\/p>\n<p><strong>Four Mazurkas, Op. 6<\/strong><\/p>\n<p>No. 1 In F Sharp Minor<\/p>\n<p>No. 2 In C Sharp Minor<\/p>\n<p>No. 3 In E Major<\/p>\n<p>No. 4 In E Flat Minor<\/p>\n<p><strong>Five Mazurkas, Op. 7<\/strong><\/p>\n<p>No. 1 In B Major<\/p>\n<p>No. 2 In A Minor<\/p>\n<p>No. 3 In F Minor<\/p>\n<p>No. 4 In A Flat Major<\/p>\n<p>No. 5 In C Major<\/p>\n<p><strong>Four Mazurkas, Op. 17<\/strong><\/p>\n<p>No. 1 In B Major<\/p>\n<p>No. 2 In E Minor<\/p>\n<p>No. 3 In A Flat Major<\/p>\n<p>No. 4 In A Minor<\/p>\n<p><strong>Four Mazurkas, Op. 24<\/strong><\/p>\n<p>No. 1 In G Minor<\/p>\n<p>No. 2 In C Major<\/p>\n<p>No. 3 In A Flat Major<\/p>\n<p>No. 4 In B Flat Minor<\/p>\n<p><strong>Four Mazurkas, Op. 30<\/strong><\/p>\n<p>No. 1 In C Minor<\/p>\n<p>No. 2 In D Major<\/p>\n<p>No. 3 In D Flat Major<\/p>\n<p>No. 4 In C Sharp Minor<\/p>\n<p><strong>Four Mazurkas, Op. 33<\/strong><\/p>\n<p>No. 1 In G Sharp Minor<\/p>\n<p>No. 2 In D Major<\/p>\n<p>No. 3 In C Major<\/p>\n<p>No. 4 In B Minor<\/p>\n<p><strong>Four Mazurkas, Op. 41<\/strong><\/p>\n<p>No. 1 In C Sharp Minor<\/p>\n<p>No. 2 In E Minor<\/p>\n<p>No. 3 In B Major<\/p>\n<p>No. 4 In A Flat Major<\/p>\n<p><strong>Three Mazurkas, Op. 50<\/strong><\/p>\n<p>No. 1 In G Major<\/p>\n<p>No. 2 In A Flat Major<\/p>\n<p>No. 3 In C Sharp minor<\/p>\n<p><strong>Three Mazurkas, Op. 56<\/strong><\/p>\n<p>No. 1 In B Major<\/p>\n<p>No. 2 in C Major<\/p>\n<p>No. 3 In C Minor<\/p>\n<p><strong>Three Mazurkas, Op. 59<\/strong><\/p>\n<p>No. 1 In A Minor<\/p>\n<p>No. 2 In A Flat Major<\/p>\n<p>No. 3 In F Sharp Minor<\/p>\n<p><strong>Three Mazurkas, Op. 63<\/strong><\/p>\n<p>No. 1 In B Major<\/p>\n<p>No. 2 In F Minor<\/p>\n<p>No. 3 In C Sharp Minor<\/p>\n<p><strong>Four Mazurkas, Op. 67 (Posthumous)<\/strong><\/p>\n<p>No. 1 In G Major<\/p>\n<p>No. 2 In G Minor<\/p>\n<p>No. 3 In C Major<\/p>\n<p>No. 4 In A Minor<\/p>\n<p><strong>Four Mazurkas, Op. 68 (Posthumous)<\/strong><\/p>\n<p>No. 1 In C Major<\/p>\n<p>No. 2 In A Minor<\/p>\n<p>No. 3 In F Major<\/p>\n<p>No. 4 In F Minor<\/p>\n<p>Mazurka In A Minor (Posthumous)<\/p>\n<p>Mazurka In A Minor (Posthumous)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Ballade Nr.1 in G minor op.23<\/p>\n<p>Polonaise in F# minor op.44<\/p>\n<p>Andante Spianato and Grande Polonaise Brillante op.22 (solo piano version)<\/p>\n<p>Preludes op.28<\/p>\n<p>Etude in G flat major op.10, Nr.5 (Black Key)<\/p>\n<p>Etude in E flat minor op.10, Nr.6<\/p>\n<p>Etude in F major op.10, Nr.8<\/p>\n<p>Etude in F minor op.10, Nr.9<\/p>\n<p>Etude in C minor op.10, Nr.12 (Revolutionary Etude)<\/p>\n<p>Etude in in Ab major op.25, Nr.1 (Aeolian Harp)<\/p>\n<p>Etude in F minor op.25, Nr.2<\/p>\n<p>Etude in C sharp minor op. 25 Nr.7<\/p>\n<p>Fantasie Impromptu in C sharp minor op.66<\/p>\n<p>Valse Brillante op.34, Nr.2<\/p>\n<p>Piano Sonata Nr.2 in B minor, op.35 Marche fun\u00e8bre: Lento<\/p>\n<p>Berceuse in D flat Major op.57<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>L.GODOWSKY &#8211; FR.CHOPIN: <\/strong>Study in Eflat minor after op.10 No.6<br \/>\n (for the Left Hand Alone) from \u201cStudies after Frederic Chopin\u201d<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li><strong> MUSSORGSKY: <\/strong>Pictures at an Exhibition<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>FR.POULENC: <\/strong>XV-eme Improvisation: Hommage a Edith Piaf<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ARNO BADADJANYAN:<\/strong> Elegie In Memory of Khachaturian<\/p>\n<p>&nbsp;<\/p>\n<p><strong>M.GLINKA &#8211; M.BALAKIREV: \u00a0<\/strong>The Lark (L&#8217;alouette)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SERGEI RACHMANINOV:<\/strong><\/p>\n<p>EtudesTableaux op.33 Nr.1<\/p>\n<p>EtudesTableaux op.33 Nr.7<\/p>\n<p>EtudesTableaux op.39 Nr.5<\/p>\n<p>EtudesTableaux op.39 Nr.6<\/p>\n<p>Elegia op.3 Nr.1<\/p>\n<p>Melodie op.3 Nr.3<\/p>\n<p>Prelude op.23 Nr.4<\/p>\n<p>Prelude op.23 Nr.5<\/p>\n<p>Prelude op 32 Nr.10<\/p>\n<p>Moment Musical op.16 Nr.4<\/p>\n<p>&nbsp;<\/p>\n<p><strong>N.RIMSKIJ KORSAKOV \/ S.RACHMANINOV: \u00a0<\/strong>Flight of the bumblebee \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>S.RACHMANINOV \/ KOCSIS ZOLT\u00c1N: <\/strong>Vocalise op.34, Nr.14<\/p>\n<p>&nbsp;<\/p>\n<p><strong>R.SCHUMANN: <\/strong><\/p>\n<p>Lied italienischer Marinari<\/p>\n<p>Arabesque op.18<\/p>\n<p>Papillons Op.2<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FR.SCHUBERT: \u00a0<\/strong>Four Impromptus op.90 (D.899)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>F.MENDELSSOHN BARTHOLDY: <\/strong>Rondo Capricioso in E major op.14<\/p>\n<p>&nbsp;<\/p>\n<p><strong>AMARAL VIEIRA: <\/strong><\/p>\n<p>Dancas Antigas para piano op.101<\/p>\n<p>F.L.Bayreuth op.163<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MARCO A.B. COUTINHO:<\/strong><\/p>\n<p>Calmarias (Nr.1,2,3,4,5.)<\/p>\n<p>Toccata op.114<\/p>\n<p>Dor op.123.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>JANNIS XENAKIS:<\/strong><\/p>\n<p>Herma<\/p>\n<p>Mists<\/p>\n<p>&nbsp;<\/p>\n<p><strong>RICHARD ADDINSELL \u2013 HENRY GEEHL:<\/strong> \u00a0Warsaw Concerto<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MARGITTAI TAM\u00c1S: \u00a0<\/strong>L\u2019Oiseau Bleu (K\u00e9k Mad\u00e1r) Op.1<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LIGETI GY\u00d6RGY: <\/strong><\/p>\n<p>Etude Nr. 13: &#8220;The Devil&#8217;s Staircase&#8221;<\/p>\n<p>Musica ricercata Nr. 7<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ALBERTO NEPOMUCENO: <\/strong>Valsa Op.13, Nr.2<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>GEROGE GERSHWIN:<\/strong><\/p>\n<p>The Man I Love<\/p>\n<p>I got Rhythm<\/p>\n<p>Somebody loves me<\/p>\n<p>Nobody but you<\/p>\n<p>Do it again<\/p>\n<p>I\u2019ll build a stariway to paradise<\/p>\n<p>Clap yo\u2019 hands<\/p>\n<p>\u2019s wonderful<\/p>\n<p>Sweet and Low-down<\/p>\n<p>Oh, lady be good!<\/p>\n<p>Swanee<\/p>\n<p>Summertime<\/p>\n<p>That certain feeling<\/p>\n<p>Liza<\/p>\n<p>My one and only<\/p>\n<p>Do-do-do<\/p>\n<p>Fascinating Rhythm<\/p>\n<p>Who cares?<\/p>\n<p>Strike up the band<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SERGE BORTKIEWICZ:<\/strong><\/p>\n<p>Nocturne Op.24, Nr.1<\/p>\n<p>The Butterfly Op.30, Nr.9<\/p>\n<p>Prelude Op.13., Nr.5<\/p>\n<p>&nbsp;<\/p>\n<p><strong>JOACHIM RAFF: <\/strong>Nuit \u00c9toil\u00e9e \u2013 Nocturne Op.29<\/p>\n<p>&nbsp;<\/p>\n<p><strong>AMY BEACH: <\/strong><\/p>\n<p>Dreaming Op.15, Nr.3<\/p>\n<p>Children\u2019s Carnival Op. 25\u00a0 \u00a0 \u00a0<\/p>\n<p>\u00a0\u00a0\u00a0 Nr.1 &#8211; Promenade<\/p>\n<p>\u00a0\u00a0\u00a0 Nr.2 &#8211; Columbine<\/p>\n<p>\u00a0\u00a0\u00a0 Nr.3 &#8211; Pantalon<\/p>\n<p>\u00a0\u00a0\u00a0 Nr.4 &#8211; Pierrot and Pierrette<\/p>\n<p>\u00a0\u00a0\u00a0 Nr.5 &#8211; Secrets<\/p>\n<p>\u00a0\u00a0\u00a0 Nr.6 &#8211; Harlequin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DOH\u00c1NYI ERN\u0150:<\/strong> \u00a0Aria from 3 Piano Pieces Op. 23\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p><strong>JOHANN ADAM REINCKEN: <\/strong>Balett in E minor<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ARNO BABADJANYAN: <\/strong>Elegie \u201cIn Memory of Khachaturian\u201d<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>DIMITAR NENOV:<\/strong> Tale &amp; Dance<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MAKSIM MRVICA:<\/strong> Croatian Rhapsody<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>GR\u00d3F VER\u0150CZEI PEJ\u00c1CSEVICH (Peja\u010devi\u0107) M\u00c1RIA THEOD\u00d3RA PAULINA \u201cD\u00f3ra\u201d: <\/strong><\/p>\n<p>Erinnerung, Op.24 (Remembrance)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>CLARA WIECK SCHUMANN: <\/strong>Drei Romanzen Op. 21 (1853)\u00a0\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LOUISE FARRENC:<\/strong><\/p>\n<p>Les Italiennes, Op.14<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0Nr.1 &#8211; Cavatine de Bellini\u2019s Norma<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0Nr.2 &#8211; Cavatine de Bellini\u2019s La Straniera<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0Nr.3 &#8211; Cavatine de Carafa\u2019s B\u00e9r\u00e9nice<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>TERESA Carre\u00f1o:<\/strong> 2 Esquisses italiennes, Opp.33\/34<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0Nr.2 &#8211; Florence<\/p>\n<p>\u00a0\u00a0\u00a0 Nr.1 &#8211; Venice<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>C\u00c9CILE CHAMINADE: <\/strong>Arabesque No.1, Op.61\u00a0\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>STRAUSS-THURZ\u00d3 transcriptions:<\/strong><\/p>\n<p>Strauss jr.-Thurz\u00f3 Z.: Annen Polka<br \/>\n Strauss jr.-Thurz\u00f3 Z.: Wiener Blut \u2013 Walzer<br \/>\n Strauss jr.-Thurz\u00f3 Z.: Tritsch-Tratsch Polka (schnell)<br \/>\n Strauss jr.-Thurz\u00f3 Z.: Tic-Tac Polka (schnell)<br \/>\n Strauss jr.-Thurz\u00f3 Z.: Geschichten aus dem Wiener Wald \u2013 Walzer<br \/>\n Josef Strauss &#8211; Thurz\u00f3 Z.: Delirien Walzer (pr.a.a)<br \/>\n Johann Strauss II &#8211; Thurz\u00f3 Z.: Egyptischer Marsch (pr.a.a)<br \/>\n Strauss jr.-Thurz\u00f3 Z.: An der sch\u00f6nen blauen Donau \u2013 Walzer<br \/>\n Strauss senior.-Thurz\u00f3 Z.: Radetzky Marsch<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ALFRED SCHNITTKE \u2013 DIMITRIOS KATHAROPUOLOS: <\/strong>Declaration of Love<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DONNEL O\u2019<\/strong><strong>BRIAN:<\/strong> Dexter\u2019s Tune from movie \u201eAwakenings\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><strong>THELONIUS SPHERE MONK:<\/strong> \u2018Round Midnight<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>NAT KING COLE-VICTOR YOUNG: <\/strong><\/p>\n<p>When I Fall in Love<\/p>\n<p>Unforgettable<\/p>\n<p>Smile<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FABRIZZIO CALIGARIS transcriptions:<\/strong><\/p>\n<p>Duke Ellington: In a Sentimental Mood<\/p>\n<p>George Gershwin: A Foggy Day<\/p>\n<p>Henri Mancini: Moon River<\/p>\n<p>John Lennon, Paul McCartney: Yesterday<\/p>\n<p>Jaques Revaux, Claude Francois: My Way\u00a0<\/p>\n<p>Rachmaninov: All by Myself<\/p>\n<p>Walter Gross, Ella Fitzgerald &amp; Louis Armstrong: Tenderly<\/p>\n<p>H.Hupfeld: As Times goes By<\/p>\n<p>Leslie Bricusse, Anthony Newley: Pure Imagination<\/p>\n<p>Bart Howart, Franck Sinatra: Fly Me To The Moon<\/p>\n<p>Kozma J\u00f3zsef (Joseph Kosma): Autumn Leaves<\/p>\n<p>George Gerswin: A Foggy Day<\/p>\n<p>Harold Arlen: Stormy Weather<\/p>\n<p>Jule Styne: I Fall In Love Too Easily<\/p>\n<p>Ant\u00f4nio Carlos Jobim: The Girl From Ipanema<\/p>\n<p>Richard Rodgers: My Funny Valentine<\/p>\n<p>Hugh Martin: Have Yourself a Merry Little Christmass<\/p>\n<p>Mel Tom\u00e9-Rober Wells: The Christmas Song<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>KEITH JARRETT:<\/strong> Over the Rainbow<\/p>\n<p>&nbsp;<\/p>\n<p><strong>HENRIETTE-CAROLINE MENNECHET DE BARIVAL: <\/strong>Nocturne &#8220;La Nuit d&#8217;\u00e9t\u00e9&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ILJA ZELJENKA:<\/strong> From Bagatelles: Choral<\/p>\n<p>&nbsp;<\/p>\n<p><strong>VASILY PRISOVSKY<\/strong>: \u00a0<\/p>\n<p>Conte d&#8217;Amour, Op.3<\/p>\n<p>R\u00eaverie, Op.65<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SERGEI BORTKIEWICZ:<\/strong><\/p>\n<p>Nocturne &#8220;Diana&#8221; Op.24., Nr.1<\/p>\n<p>The butterfly\u00a0&#8211; from Andersen&#8217;s Fairy Tales Op.30, Nr.9<\/p>\n<p>&nbsp;<\/p>\n<p><strong>JOHANN PACHELBEL-LEE GALLOWAY: <\/strong>Canon In D Major<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DORA Peja\u010devi\u0107:<\/strong> Erinnerung, Op.24 (Remembrance)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>M<\/strong><strong>\u00c9LANIE CHASSELON:<\/strong> Nocturne &#8220;Abandon&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EDWARD ELGAR: <\/strong>Salut D&#8217;amour Op.12<\/p>\n<p>&nbsp;<\/p>\n<p><strong>VOLKMAR ANDREAE:<\/strong> From Sechs Klavierst\u00fccke Op.20 &#8211; III. Frage<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OTTORINO RESPIGHI:<\/strong> Notturno (1904)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ENNIO MORRICONE:<\/strong> Playing Love<\/p>\n<p>&nbsp;<\/p>\n<p><strong>HANS ZIMMER:<\/strong><\/p>\n<p>The Da Vinci Code \u2013 Chevaliers de Sangreal\u00a0<\/p>\n<p>Time<\/p>\n<p>&nbsp;<\/p>\n<p><strong>BOLYKI ANDR\u00c1S:<\/strong><\/p>\n<p>Cathedral\u00a0<\/p>\n<p>Red<\/p>\n<p>White<\/p>\n<p>Syncopation<\/p>\n<p>Choral\u00a0<\/p>\n<p>Green song\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PAUL DE SENEVILLE:<\/strong> Marriage D\u2019amour<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ALFRED SCHNITTKE-DIMITRIOS KATHAROPOULOS: <\/strong>Declaration on Love<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>ALAN SILVESTRI:<\/strong> Forrest Gump<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FRANCIS LAY:<\/strong> Love Story<\/p>\n<p>&nbsp;<\/p>\n<p><strong>VICTOR CARBAJO:<\/strong> 12 Lullabies for Victoria<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PH.E.BACH: <\/strong>Solfeggietto<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>C.CZERNY:<\/strong><\/p>\n<p>\u00c9tudes, (Practical Exercises for Beginners) op.599<\/p>\n<p>\u00c9tudes, (The Art of Finger Dexterity) op.740<\/p>\n<p>25 Grand Etudes de Salon op.756<\/p>\n<p>&nbsp;<\/p>\n<p><strong>CZERNY &#8211; SZENDY: <\/strong>\u00c9tudes op.299<\/p>\n<p>&nbsp;<\/p>\n<p><strong>D.SCARLATTI:<\/strong><\/p>\n<p>Sonata in F minor L.383<\/p>\n<p>Sonata in B minor L.449<\/p>\n<p>&nbsp;<\/p>\n<p><strong>J.PH.RAMEAU:<\/strong><\/p>\n<p>La Poule (The Hen) from Suite in G major<\/p>\n<p>Menuette<\/p>\n<p>&nbsp;<\/p>\n<p><strong>L.CL.DAQUIN: <\/strong>Le Coucou (The Cuckoo)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FR.COUPERIN: <\/strong>Le TicTocChoc ou les Maillotins<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>B.GALUPPI:<\/strong> Sonata in c minor R.50<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FR.KUHLAU: \u00a0<\/strong>Sonatina in a moll op.88<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>P.D.Paradisi: \u00a0<\/strong>Sonata in E major<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>ERNST TOCH: \u00a0<\/strong>Der Jongleur (The Juggler), op.31, Nr.3<\/p>\n<p>&nbsp;<\/p>\n<p><strong>D.KABALEVSKI: <\/strong><\/p>\n<p>Novella op.39 No.22<\/p>\n<p>Piece op.39 No.22<\/p>\n<p>&nbsp;<\/p>\n<p><strong>G.FR.HAENDEL: <\/strong><\/p>\n<p>Piano Suite in g minor, HWV 432 Passacaille\/Passacaglia<\/p>\n<p>Sonatina in C major<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EDWARD GRIEG: <\/strong><\/p>\n<p>Lyric Pieces op.43<\/p>\n<p>Lyric Pieces op.47<\/p>\n<p>Lyric Pieces op.54<\/p>\n<p>I love thee (Ich liebe dich -Je t\u2019aime), op.41, Nr.3<\/p>\n<p>Wiegenlied Op.41, No.1<\/p>\n<p>Wenn einst sie lag an meiner Brust Op.41, No.4<\/p>\n<p>&nbsp;<\/p>\n<p><strong>CL.DEBUSSY: <\/strong><\/p>\n<p>Pr\u00e9ludes (from Book II) Bruy\u00e9re<\/p>\n<p>Clair de Lune<\/p>\n<p>Children\u2019s Corner: The snow is dancing<\/p>\n<p>&nbsp;<\/p>\n<p><strong>J.SIBELIUS: <\/strong><\/p>\n<p>Caprice op.24, Nr.3<br \/>\n (from 10 Pieces for Piano)<\/p>\n<p>Piece for Piano No.2, Op.76<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PAUL CONSTANTINESCU<\/strong><strong>: <\/strong>Tocco-Toccotina<\/p>\n<p>&nbsp;<\/p>\n<p><strong>G.ENESCU:<\/strong> \u201eSuita in stil vechi\u201d op.3<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MYRIAM MARB<\/strong><strong>\u00c9:<\/strong> Burlesque<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DAN VOICULESCU :<\/strong> C\u00e2ntec de sear\u0103 Transilv\u0103nean<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ELISE POPOVICI: <\/strong><\/p>\n<p>Toccata<\/p>\n<p>Joac\u0103<\/p>\n<p>Amintiri<\/p>\n<p>C\u00e2ntec<\/p>\n<p>Veselie<\/p>\n<p>Poveste<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>VERESS S\u00c1NDOR: \u00a0<\/strong>Sette Danze Ungheresi per pianoforte<\/p>\n<p>&nbsp;<\/p>\n<p><strong>D.SHOSTAKOVICH: \u00a0<\/strong><\/p>\n<p>Prelude and Fugue Nr.5 in D major<\/p>\n<p>Lyrical Walz<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Mes transcriptions&#8221;]\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">Johann Strauss II. \/ Thurz\u00f3 Zolt\u00e1n<\/td>\n<td>\n<ul>\n<li>Tritsch-Tratsch Polka (schnell)<\/li>\n<li>Tic-Tac Polka (schnell)<\/li>\n<li>Annen Polka<\/li>\n<li>Wiener Blut Walzer<\/li>\n<li>Geschichten aus dem Wiener Wald Walzer<\/li>\n<li>An der sch\u00f6nen blauen Donau Walzer<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">Johann Strauss senior \/ Thurz\u00f3 Zolt\u00e1n<\/td>\n<td>\n<ul>\n<li>Radetzky Marsch<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1\">J.S.Bach\u00a0\/ Thurz\u00f3 Zolt\u00e1n<\/td>\n<td>\n<ul>\n<li>Air\u00a0<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Op\u00e9ras de chambre&#8221;]\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1-kamara\">Violon-Piano sonates\/pi\u00e8ces\/concerts <br \/>\n &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br \/>\n Violoncelle-Piano sonates\/pi\u00e8ces\/concerts\u00a0<br \/>\n &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br \/>\n Clarinette \u2013Piano sonates\/pi\u00e8ces\/concerts\u00a0<\/td>\n<td>J.S. Bach, W.A.Mozart, L. van Beethoven, R.Schumann, Fr.Schubert, J.Brahms, E.Grieg, C.Franck, C.Saint-Seans, Fr.Poulenc, M.Ravel, Cl.Debussy, Bart\u00f3k B., S.Prokofiev, \u00a0J.Stamitz, Franti\u0161ek Kram\u00e1r (alias Franz Krommer), L.Spohr, Karl M. v. Weber, D.Milhaud, N.Gade, M.Bruch, G.Rossini, Z.Paulinyi, J.N.Hummel, E. Elgar, G. Faur\u00e9, B. Fairchild, M. Reger, C. Reinecke, N. Rimsky-Korsakov, G. Rossini, R.Gli\u00e9re, H. Villa-Lobos, Vecsey Ferenc, Farkas Ferenc, B.Godard, Marcel Samuel Rousseau, Koen Dejonghe, J.Raff, Henri Rabaud, C.Franck, P.Sarasate, Popper D\u00e1vid, H.Wieniawski, S.Kuhlmann, Vittorio Monti, O.Respighi, M.Th.von Paradis, Fr.M.Veracini, Drask\u00f3czy L\u00e1szl\u00f3, Weiner Le\u00f3, Ch. Stanford, Aaron Copland, P.Hindemith, F.Busoni, I.Alb\u00e9niz, Kr.Penderecki.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1-kamara\">Trio<\/td>\n<td>W.A.Mozart, L. van Beethoven, J.Haydn, C.Franck, E.Grieg, J.Brahms, D.Milhaud,<br \/>\n R.Schumann, Bart\u00f3k B\u00e9la, Fr.Schubert, C.Saint-Sa\u00ebns, M.Bruch, C.Czerny, Cl.Debussy,<br \/>\n P.I.Tchaikovsky, S. Rachmaninov (Rachmaninoff), A.Arensky, A.Dvorak, G.Faur\u00e9,<br \/>\n J.N. Hummel, M.Ravel, J.Sibelius, W.von Baussnern, Amaral Vieira, Mun-Gen-Og.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1-kamara\">Quartet de piano<\/td>\n<td>\n<p>W. A. Mozart:<\/p>\n<ul>\n<li>Piano Quartet in E-flat major, KV.493<\/li>\n<li>Piano Quartet in G minor, KV.478<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>J. Brahms:<\/p>\n<ul>\n<li>Piano Quartet No.1 in G minor, Op.25<\/li>\n<li>Piano Quartet No.3, in C minor, Op.60<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>R. Schumann:<\/p>\n<ul>\n<li>Piano Quartet in E flat major, Op 47<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"repertoir\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"repertoir-col-1-kamara\">Chansons<\/td>\n<td>W.A.Mozart, L.van Beethoven, Fr.Chopin, Fr.Liszt, \u00a0F. Mendelssohn-Bartholdy,\u00a0 R.Wagner, H.Wolf, M.Reger, R.Schubert, R,Schumann, J.Brahms, G.Mahler, S. Rachmaninov (Rachmaninoff), N. Rimski-Korsakov, B. Smetana, P.I. Tchaikovsky,\u00a0 Kod\u00e1ly Z., Bart\u00f3k B., Ridzyk Gy\u00f6ngyi, G.Enescu, Gh. Dima., M.Jora, C. P. Basacopol, S.Todu\u0163\u0103, N. Coman, T.Ciortea, P.Bentoiu, W.Berger, L.Comes, M.Chiriac, D.Capoianu, Felicia Donceanu, Myriam Marb\u00e9, D.Popovici, A.Stroe, C.\u021a\u0103ranu, A.Vieru, T.Jarda, Marco A.B.Coutinho.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Op\u00e9ra (Extraits en piano)&#8221;]\n<p>L. van Beethoven, V.Bellini, G.Bizet, A.Boito, A.P. Borodin, Bart\u00f3k B\u00e9la, G.Bizet, B.Britten, Fr.Caccini, G.\u00a0 Caccini, A.Caldara, A.Cesti, M.A.Charpentier, L.Cherubini, Fr.Cilea, D.Cimarosa, P.I.Tchaikovsky, L.Delibes, Carl Ditters von\u00a0 Dittersdorf, G.Donizetti, P. Dukas, A.Dvorak, Erkel Ferenc, Fr. von Flotow, M.I.Glinka, Ch.W.Gluck, Goldmark K\u00e1roly, Ch.Gounod, J.Haydn, Kod\u00e1ly Zolt\u00e1n, R.Leoncavallo, J.B.Lully, G.Fr.Malipiero, P.Mascagni, J.Massenet, G.C.Menotti, S.Mercadante, G.Meyerbeer, Cl.Monteverdi, Mihalovich \u00d6d\u00f6n, Mosonyi Mih\u00e1ly, W.A.Mozart, M.P. Mussorgsky, J.Offenbach, G.Paisiello, G.P.\u00a0 da Palestrina, G.B.Pergolesi, J.Peri, A.Ponchielli, N.Porpora, Fr.Poulenc, G.Puccini, H.Purcell, J.Ph.Rameau, O.Respighi, N.A.Rimski-Korsakov, L.Rossi, G.Rossini, A.Salieri, B.Smetana, D.D.\u00a0 Shostakovich,\u00a0 L.Spohr, A.Stradella, R.Strauss, G.Verdi, A.Vivaldi, R.Wagner, Carl Maria von Weber.<\/p>\n[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Op\u00e9rette (Extraits en piano)&#8221;]\n<p>\u00c1brah\u00e1m P\u00e1l, F\u00e9nyes Szabolcs, Huszka Jen\u0151, Kacs\u00f3h Pongr\u00e1c, K\u00e1lm\u00e1n Imre, Leh\u00e1r Ferenc, Ruggero Leoncavallo, Jacques Offenbach.<\/p>\n[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Musical (Extraits en piano)&#8221;]\n<p>Sylvester Levay, Andrew Lloyd Webber<\/p>\n[\/et_pb_accordion_item] [\/et_pb_accordion][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243;][et_pb_image admin_label=&#8221;Image&#8221; src=&#8221;http:\/\/thurzozoltan.com\/wp-content\/uploads\/2016\/05\/repertoar-1-5.jpg&#8221; show_in_lightbox=&#8221;off&#8221; url_new_window=&#8221;off&#8221; use_overlay=&#8221;off&#8221; animation=&#8221;right&#8221; sticky=&#8221;off&#8221; align=&#8221;left&#8221; force_fullwidth=&#8221;off&#8221; always_center_on_mobile=&#8221;on&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; module_class=&#8221;sticky&#8221;] [\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section admin_label=&#8221;Section&#8221; fullwidth=&#8221;on&#8221; specialty=&#8221;off&#8221; transparent_background=&#8221;on&#8221; background_color=&#8221;#ffffff&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221;][et_pb_fullwidth_post_title admin_label=&#8221;Fullwidth Post Title&#8221; title=&#8221;on&#8221; meta=&#8221;off&#8221; author=&#8221;on&#8221; date=&#8221;on&#8221; categories=&#8221;on&#8221; comments=&#8221;on&#8221; featured_image=&#8221;off&#8221; featured_placement=&#8221;below&#8221; parallax_effect=&#8221;on&#8221; parallax_method=&#8221;on&#8221; text_orientation=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_background=&#8221;off&#8221; text_bg_color=&#8221;rgba(255,255,255,0.9)&#8221; module_bg_color=&#8221;rgba(255,255,255,0)&#8221; title_font_size=&#8221;36&#8243; title_font_size_tablet=&#8221;29&#8243; title_font_size_phone=&#8221;20&#8243; title_font_size_last_edited=&#8221;on|phone&#8221; title_text_color=&#8221;#fee29b&#8221; title_all_caps=&#8221;off&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;] [\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section admin_label=&#8221;section&#8221; transparent_background=&#8221;on&#8221; background_color=&#8221;#ffffff&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6444","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/pages\/6444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/comments?post=6444"}],"version-history":[{"count":25,"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/pages\/6444\/revisions"}],"predecessor-version":[{"id":15965,"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/pages\/6444\/revisions\/15965"}],"wp:attachment":[{"href":"https:\/\/thurzozoltan.com\/fr\/wp-json\/wp\/v2\/media?parent=6444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}