{"id":2631,"date":"2016-07-20T11:42:16","date_gmt":"2016-07-20T11:42:16","guid":{"rendered":"http:\/\/thurzozoltan.com\/ro\/?page_id=2631"},"modified":"2016-10-25T08:53:07","modified_gmt":"2016-10-25T08:53:07","slug":"articolele-mele-publicate","status":"publish","type":"page","link":"https:\/\/thurzozoltan.com\/ro\/jurnal\/articolele-mele-publicate\/","title":{"rendered":"Scrierile mele publicate"},"content":{"rendered":"[et_pb_section admin_label=”Section” fullwidth=”on” specialty=”off” transparent_background=”on” background_color=”#ffffff” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_fullwidth_post_title admin_label=”Fullwidth Post Title” title=”on” meta=”off” author=”on” date=”on” categories=”on” comments=”on” featured_image=”off” featured_placement=”below” parallax_effect=”on” parallax_method=”on” text_orientation=”center” text_color=”dark” text_background=”off” text_bg_color=”rgba(255,255,255,0.9)” module_bg_color=”rgba(255,255,255,0)” title_font_size=”36″ title_font_size_tablet=”29″ title_font_size_phone=”20″ title_font_size_last_edited=”on|phone” title_text_color=”#fee29b” title_all_caps=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section admin_label=”section” transparent_background=”on” background_color=”#ffffff” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” background_color=”rgba(0,0,0,0)” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” parallax_1=”off” parallax_method_1=”off” column_padding_mobile=”on”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]\n

\u00cen g\u00e2ndurile noastre se \u00eembin\u0103 profunzime cu \u00eendep\u0103rtarea. \u00cen sufletul fiec\u0103ruia se aglomeraz\u0103 g\u00e2nduri care vor s\u0103 fie \u00eemp\u0103rt\u0103\u015fite cu al\u0163ii, ceea ce este dezv\u0103lirea lumii interioare \u00een modul cel mai personal, cel mai intim.<\/p>\n

\"Thurz\u00f3Zilele cotidiene cenu\u015fii pot deveni mai colorate, dac\u0103 \u00eemp\u0103rt\u0103\u015fim cuno\u015ftin\u0163ele, evenimentele experimentate.\u00a0A\u015f dori s\u0103 v\u0103 ar\u0103t tuturor modul \u00een care eu v\u0103d lumea \u015fi oamenii.\u00a0Vizitatorul paginii poate citi despre valorile epicilor apuse, atrac\u0163ii de istorie, reflect\u0103ri\u00a0\u00a0 ale imaginii contemporane.\u00a0G\u0103se\u015fte at\u00e2t nout\u0103\u0163i despre trecut care ii atrag aten\u0163ia, c\u00e2t \u015fi eventimente contemporane.\u00a0Pentru redarea autentic\u0103 a domeniilor artistice, \u015fi pentru arta muzicii, este necesar\u0103 umilin\u0163a \u015fi orientarea multilateral\u0103.\u00a0Simt necesar\u0103 o d\u0103ruire \u015fi un angajament de a transmite \u00een moduri diferite, \u00eent\u00e2mplarile pe care le consider importante \u015fi interesanta.\u00a0Dorin\u0163a mea de cunoa\u015ftere st\u0103rnit\u0103 de profesorii \u015fi str\u0103mosii mei, m\u0103 \u00eendeamn\u0103\u00a0 la o cercetare continu\u0103Este o onoare pentru mine, ca rezultatele acestora\u00a0 le pot \u00eempar\u0163ii din c\u00e2nd \u00een c\u00e2nd cu presa.<\/p>\n

Orice moment muzical\u00a0 este un \u201emesaj inchis pe ve\u015fnicie \u00eentr-o capsul\u0103\u201d.\u00a0Dar pentru a \u00een\u0163elege mesajul este foarte important\u0103 elementul de leg\u0103tura dintre compozitor \u015fi public.\u00a0\u00cen totalitate este r\u0103spunderea artistului, astfel \u015fi al meu, ca la spectacol, nu doar cu pianul ci \u015fi cu informa\u0163ii punctuale s\u0103 redau interpretarea.\u00a0Scopul pubilica\u0163iilor este \u015fi corec\u0163ia, clarificarea eventualelor erori la istoria muzici.\u00a0Ca \u015fi artist de pian este important pentru mine perfec\u0163ionismul. Deasemenea \u00eengrijirea culturii muzicale \u015fi a culturii.\u00a0\u00cen calitate de localnic, este serviciul meu special de a descoperi istoria muzical\u0103 a Oradiei, \u015fi p\u0103strarea tradi\u0163iilor familiei.\u00a0De mostenirea de la veneratul meu bunic, Thurz\u00f3 S\u00e1ndor, am grij\u0103 \u00een mod special, \u015fi \u00eencerc prin scrierile mele s\u0103 predau posterit\u0103\u0163ii.<\/p>\n

Eu cred c\u0103 at\u00e2t cultura maghiar\u0103\/rom\u00e2n\u0103\/interna\u0163ional\u0103, c\u00e2t \u015fi momentelor istorice pot modela via\u0163a oamenilor de azi.\u00a0Scopul meu principal este s\u0103 pot spune totul ce poate \u00eembog\u0103\u0163ii \u00een mod special\u00a0 locuitorii ora\u015fului, dar \u015fi pe cei deschisi pentru cultura de aici \u015fi dincolo de grani\u0163e.\u00a0Publicarea digitala nu \u00eenlocuie\u015fte convorbirile personale, dar \u00een zilele noastre, \u00een lumea informaticii, se pot g\u0103si porti\u021bele prin care omul poate difuza, reprezenta valori.<\/p>\n

A\u015f dori ca scrierile mele s\u0103 dea na\u015ftere altor g\u00e2nduri,care astfel ar putea alc\u0103tui un pod \u00eentre oamenii \u015fi evenimentele trecutului \u015fi oamenii \u015fi evenimentele prezentului.\u00a0Valorile epocilor apuse \u0219i atrac\u0163iile istorice trebuie s\u0103 cunoa\u015ftem cu to\u0163ii.<\/p>\n

\u00a0<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]\n

Despre festivalul \u201cMichael Haydn-Wenzel Pichl- Karl Ditters von Dittersdorf\u201d<\/h3>\n\n\n\n\n\n\n\n\n\n
Titlu<\/th>\nData public\u0103rii<\/th>\nNumele organului presei<\/th>\nLimba<\/th>\n<\/tr>\n
Mo\u015ftenirea cultural\u0103 trebuie p\u0103strat\u0103<\/a><\/td>\n08.10.2010<\/td>\nBihari Napl\u00f3<\/td>\nmaghiar\u0103<\/td>\n<\/tr>\n
Ridicarea vie\u021bii muzicale din Oradea la nivel interna\u021bional<\/a><\/td>\n12.10.2010<\/td>\nBihari Napl\u00f3<\/td>\nmaghiar\u0103<\/td>\n<\/tr>\n
Michael Haydn \u2013 Compozitorul episcopului Patachich \u00c1d\u00e1m<\/a><\/td>\n13.10.2010<\/td>\nBihari Napl\u00f3<\/td>\nmaghiar\u0103<\/td>\n<\/tr>\n
Rolul important al lui Dittersdorf \u00een evolu\u021bia muzicii clasice din Oradea<\/a><\/td>\n14.10.2010<\/td>\nBihari Napl\u00f3<\/td>\nmaghiar\u0103<\/td>\n<\/tr>\n
Despre activitatea din Oradea al lui Karl Ditters von Dittersdorf<\/a><\/td>\n15.10.2010<\/td>\nBihari Napl\u00f3<\/td>\nmaghiar\u0103<\/td>\n<\/tr>\n
Timpul petrecut de compozitorul Wenzel Pichl la Oradea<\/a><\/td>\n16.10.2010<\/td>\nBihari Napl\u00f3<\/td>\nmaghiar\u0103<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
Titlu<\/th>\nData public\u0103rii<\/th>\nNumele organului presei<\/th>\nLimba<\/th>\n<\/tr>\n
Din nou am devenit mai s\u0103raci, actorul Varga Vilmos s-a stins din via\u0163\u0103<\/a><\/td>\n12.07.2016<\/td>\nBihari Napl\u00f3<\/td>\nmaghiar\u0103<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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